This evening I came across a facebook group promoting recognition and discussion of Wikipedia Art, a self referencing work/Wikipedia page (notable because of the cultural significance of inviting the controversy it baits on wikipedia for not being notable or culturally significant) whose creators insist is conceptual art. Throughout the discussion is the tireless debate of what constitutes art. I was intrigued and even a little bothered by the undeniable assertion and the implication. (Maybe it is enough to admit it is “art,” but if that means anything, then some implication should follow: I should care; I should support funding for it; I should support recognizing it on par with any other work of art, etc). So I did what any good unwilling participant observer would do: I went to vandalize the page, to highjack the work and reclaim my agency in spite of (and in homage to (ah, the levels of irony!)) my being enlisted as participant. Alas, the page had been deleted without so much as an archive’s history of the deletes and debates that the artist cited to justify the work. I didn’t get to vandalize the page, but I had too much fun posting a response on the facebook group, which I’ll boastfully repeat for you:
Demanding a contrapuntal dialog of vigorous affirmation and inherent denial, the artist insists on the de facto status of Wikipedia Art as conceptual artifact, creating a dissonant ontological reassignment from extinct referent to extant rhetoric. While indisputably manifesting itself, recursively, as Art, both in referencing itself and in referencing that which does not exist, the audience’s apathy is commandeered as medium. Where previous artists have relied only on the milieu of controversy to maintain a similar status, here, the indifferent critic is slightly uncomfortably forced to ask himself the question “why should I care?”
Cf. Manzoni, Piero “Merda d’Artista” (1961) ; Tetazoo, James “No Knife. A study in mixed media earth tones, number three.” (1984)
See, I don’t mind. I’m having fun. Denying meaning is a meaningful way to engage with a piece. So I am guilty of justifying this work as I mock it, fine. As much as the view that criticism is part of art preempts serious criticism and absolves artist, it can also liberate me as critic and justify my objections. I just need to play by the rules, such as admitting it is art and I am a part of it. And in admitting this, I stretch the boundaries of what is art, because now art is a cheap laugh, a strawman soaked in fuel, a can of shit. Art is that which invites the novice to momentarily pontificate and jeer and ultimately something that he can forget. I’m okay with that. I understand that people will always highjack the symbols of virtue for cheap gain. But the symbols can’t keep themselves up. They sink down, to the low down things they are stuck to.
(See Christianity, peace, the swastika, art, Country music).